programs
SCULPTURE: New Concepts in Process and Building

SCULPTURE: New Concepts in Process and Building

~With Taylor Davis

Event Type: Presentation

Cost: Free!

Taylor Davis is a Professor at Massachusetts College of Art and Design (1999-present), co-chair of sculpture at Milton Avery Graduate School of the Arts at Bard College since 2003, and visiting faculty at Department of Visual and Environmental Studies at Harvard University, fall 2008.
Upcoming and recent exhibitions include: Horton Gallery (Sunday LES), Office Baroque Gallery, Worchester Art Museum, White Columns, Samson Projects, Exit Art, Triple Candie, Incident Report, and Institute of Contemporary Art, Boston. Davis was included in the Whitney Museum of American Art Biennial 2004, New York. Grants and awards include Radcliffe Fellowship (2010-2011), Anonymous Was a Woman (2009), Association of International Art Critics Award (2007 and 2002)

Generating Pattern from Enviroment

Generating Pattern from Enviroment

~With Sarah Steinwachs

Event Type: Workshop

Tuition: $75

Level: Beginners - Advanced

Students will create a pattern/design based on something they bring - a point of inspiration. We will go through the sketch phase, drawing phase, stylization phase, arrangement phase, and then apply the finished idea with marker or paint ( using a ruling pen). After the "finding" of a design based on the environment, I will go through the process of cutting out the pattern and how this effects the pattern, the successes and failures of these processes.


List of Art Supplies for Students to bring if they have them:

ruling pen, markers, inks, color pencil, acrylic-whatever media they would like to use on paper, 140 lb. watercolor Paper or thinner-I prefer Arches-or paper that has a lot of sizing (printmaking paper is hard to cut-out because of its softness). Rulers, exacto-knife, cutting-mats, pencils, erasers

Generating Pattern from Environment

Generating Pattern from Environment

~With Sarah Steinwachs

Event Type: Presentation

Cost: Free!

The series of works in Paper Microcosms started from an impulse to cut out the spaces between the grid lines of graph paper. By doing this, the illusion of space became actual space. The lines that remained were contradictory to the air around them, a two-dimensional construct, in a three-dimensional reality. Further, the layering of these "in-between" dimensions created environments that were reminiscent of the everyday, such as a grate, over a screened window, but also something more profound like the curving nets of string theory; both hard to distinguish, at times, how many dimensions they inhabit.

When I started making these works, I used the grid as the primary system, and the knife as the mark-making device because I liked the challenge of staying inside the lines with a tool that I wasn't as familiar with. I quickly came to see however, that the natural gesture of process, including the unexpected slip-ups that occurred was visually much more interesting than the challenge of perfection. The engagement in making the work has since evolved to finding solutions from the combination of a standardized system, and the variance of hand.

This group of work has become a library of grid variables or an alphabet of grids.

Painting: Encaustic Monotype

Painting: Encaustic Monotype

~With Judith Williams

Event Type: Presentation

Cost: Free!

Williams is inspired by poetry, memories of her childhood, and everyday objects. Growing up in Baltimore, she danced and performed ballet and modern jazz for 20 years. She studied art at City College and the California College of Arts after moving to San Francisco. Williams received her BFA in painting in 1995 from Sonoma State University and has been working in the medium of encaustic for 6 years. She states, "i focus on seeing below the surface, through transparencies, layering, and peeling down to the essence... the hidden levels and psychological undertones."

ORIGAMI: Modern Origami

ORIGAMI: Modern Origami

~With Deb Pun Descoe

Event Type: Workshop

Tuition: $60

Level: Beginners - Intermediate

Modern Origami is accessible to everyone. Deb Pun Descoe will show how traditional origami has evolved from the well-loved crane to today's form by leading two hands-on origami classes to fold, manipulate and assemble paper into usable containers and or decorative spheres. During the morning session, participants will learn how to interpret diagrams illustrated by modern origami designers by folding several practical boxes and containers. In the afternoon, each participant will weave together 30 sheets of paper into a dodecahedron ball, a subset in modern origami know as modular origami.

Friday night, FREE MOVIE SCREENING - Open to community "Between the Folds," 55 minute documentary followed by 30 minutes Q&A ending with a group project. I will show different types of paper (machine made, handmade, foil-tissue paper) I use in folding origami models. To end the evening, I will teach Seiryo Takekawa's "Tumbler" to all participants. We will line them up in a domino fashion to knock them down to demonstrate that origami can be fun.

Saturday morning session (2 hours) "Practical Origami Containers"' I will teach participants how to interpret diagrams illustrated by modern origami designers from folding several practical boxes and containers. I will discuss where to find online resources for origami diagrams, videos, book reviews and paper.

Saturday afternoon session (2-3 hours) "Modular Origami: Dodecahedron." Each participant will fold and assemble 30 sheets of 6" (15cm) square paper into a woven dodecahedron ball. I am teaching a subset in modern origami called modular origami. By assembling the 30 unit dodecahedron the participant will engage the left (logic) and right (creativity) brain hemispheres.

SCULPTURE: Concrete

SCULPTURE: Concrete

~With Randy Shiroma

Event Type: Workshop

Tuition: $200

Level: Beginners - Intermediate

Cement is an amazing medium in which to generate large forms easily and rather inexpensively. One just has to look around to see the ubiquitous use of concrete. This workshop will help generate a sensitive use of the material. Activities will cover the generation of forms and the layered process of building up the form with cement/concrete. There is a potential for quickly realizing large 3D forms. A general overview will be presented, as well as a conceptual framework for viewing cement as an artistic medium and the methods and techniques of working. Please bring your excitement and willingness to work & experiment.

Come prepared to turn your imagination loose in this intensive, high-energy class. Beginners and advanced students are challenged to explore the possibilities of creating spontaneous paintings and three-dimensional sculpture in concrete. Discover its unconventional use as an expressive medium as we work in the liquid, clay-like, and solid states of concrete as it solidifies. Exciting effects will be achieved by methods of layering and building up surfaces, hand forming, building over armatures of various materials, textural effects and basic surface finishing. Develop your concepts and inspirations using various substrates, armatures, colorants, aggregates, imbedding objects and sanding and carving down through layers. Students will leave confident to continue their work at home and expand the possibilities of this medium in future workshops.

ORIGAMI: Modern Origami

ORIGAMI: Modern Origami

~With Deb Pun Descoe

Event Type: Presentation

Cost: Free!

Modern Origami is accessible to everyone. Deb Pun Descoe will show how traditional origami has evolved from the well-loved crane to today's form by leading two hands-on origami classes to fold, manipulate and assemble paper into usable containers and or decorative spheres. During the morning session, participants will learn how to interpret diagrams illustrated by modern origami designers by folding several practical boxes and containers.

Friday night, FREE MOVIE SCREENING - Open to community "Between the Folds," 55 minute documentary followed by 30 minutes Q&A ending with a group project. I will show different types of paper (machine made, handmade, foil-tissue paper) I use in folding origami models. To end the evening, I will teach Seiryo Takekawa's "Tumbler" to all participants. We will line them up in a domino fashion to knock them down to demonstrate that origami can be fun.

SCULPTURE: Concrete

SCULPTURE: Concrete

~With Randy Shiroma

Event Type: Presentation

Cost: Free!

Randy Shiroma will present slides of past and current works, and answer questions about this excitingly versatile medium. Randy has taught sculpture at San Jose State University, and currently teaches at University of Hawai'i, Hilo.

Cement is an amazing medium in which to generate large forms easily and rather inexpensively. One just has to look around to see the ubiquitous use of concrete. This workshop will help generate a sensitive use of the material. Activities will cover the generation of forms and the layered process of building up the form with cement/concrete. There is a potential for quickly realizing large 3D forms. A general overview will be presented, as well as a conceptual framework for viewing cement as an artistic medium and the methods and techniques of working. Please bring your excitement and willingness to work & experiment.

PAINTING: Explore Encaustics

PAINTING: Explore Encaustics

~With Katie Burk

Event Type: Workshop

Tuition: $150

Level: Beginners - Intermediate

Students will complete five small process-oriented paintings. After gaining a basic understanding of encaustic's properties, students will attempt one or two concept-driven works. Students will be encouraged to bring in their own substrates and materials for experimentation (i.e. old drawings, watercolors, and collage material to imbed in the wax).

ALTERED STATES

ALTERED STATES

~With Gerald Lucena

Event Type: Workshop

Tuition: $25

Level: Beginners

Alters are a big part of the Day of the Dead celebrations, in this workshop participants will create fabulous alters to honor passed love ones using simple materials like cardboard, paper-mache and found objects. Students are asked to bring a small box (12"x12"x12" or slightly smaller) to represent the main form of the alter (wooden shadow boxes will work as well) and a variety of mixed-media accouterments including photographs will be used to decorate the surfaces of the alter. Small figures, paper marigolds, and skulls will also be made to complete the narrative aspects of the alter. Let's honor all creative spirits that have come before. Finished alters will be on display at the Donkey Mill Art Center as part of the closing reception of Pupils' Perceptions: Annual Adult Student Exhibition. Cost of the workshop will be $25 and will be used to create a "Don't Be a Deadbeat Fund" to help support DMAC's programming expenses.